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Short film for Vice Media about the illusion of stability, freedom, and prosperity in the West, comparing it to life in the Soviet Union during the 1970s. Ends with a trailer for HyperNormalisation.

The transformation of woman's nature through time, from the ancient Mother-Goddess worshiping to modern society femmes that takes place in a provisional space - all expressed in costumed characters, created by the director herself.

A pilot loses his memory after a plane crash. A good friend helps him to remember his past by talking about a transport plane they built together.

Dima is preparing to leave his hometown to join the national boxing team. But his dreams clash with the strict beliefs of his Jehovah’s Witness community, and the girl he likes refuses to say goodbye.

A documentary springing from the directors own relationship with her son who lacks a consistent relationship with his father, and thus aims to explore all the requisite dynamics, pros & cons, of what it is to be a man raised by a single mothers.

World in a City is a portrait of Toronto and the steps Torontonians are taking to create a society that welcomes and encourages new immigrants to flourish

A Japanese journalist. An Indian software engineer. A Belgian man looking for a new future. An Austrian man running from his past. A young Thai woman and her daughter. In the bright lights and swirling anonymity of Pattaya, the paths of these people are drawn together.

What are the causes of terrorism, and how will it affect the future? This series examines those questions and more by exploring the religious, political and ethnic origins of terrorism, and profiling terrorist ideologies, systems and personalities. From Northern Ireland and Palestine to the Achille Lauro cruise ship hijacking and the murder of Israeli Olympic athletes at the 1972 Munich games, this series looks at past and present threats.

A Chance in the World is the unbelievable real life story of Steve, a wounded and broken boy destined to become a man of resilience and vision. From the day he is five-years-old and dropped off at his foster home of the next eleven years, Steve is mentally and physically tortured by Betty (his foster mother), Willie (her husband) and his foster siblings. Desperate for a sense of family and belonging, Steve searches for his biological parents, but no one in the system can help him. No one can tell him why, with obvious African-American features, he has the last name of Klakowicz.